THE CHANGING MAN

Unsettling rumours swirl in the privileged halls of Nithercott Academy. Students are disappearing and if they return at all, they’re uncannily changed.

As figures lurk in the shadows, watching and waiting, new student Ife will do whatever it takes to survive.

But when the scales of power are tipped against you, what is the cost of fighting back?

*sigh* where do I even start with this? 🥴

(First of all, I actually got this book while someone else was after it. When I put it on the counter, the sales assistant looked at it for a minute and was like… “there it is.” He then told me another employee had been frantically searching for it for a customer, but couldn’t find it because I’d been walking around the shop with it. I could have missed out! Now I wish she’d got to it first.)

You might look at that cover and think “ooh spooky!” Because I certainly did. But it isn’t. I also thought it was YA, but it isn’t that, either. It’s actually a children’s book, even though the characters are 16/17, but that’s fine too, because kids’ books can still be creepy, and I mean, just look at the cover!

Ife Adebola is a new student of Nithercott School as part of their Urban Achievers Programme. As one of the few black students there, and not being financially well off, she doesn’t feel as though she fits in with the other students. She also misses her best friend, Zanna, who she can’t contact when her phone gets confiscated. (And yes, you’ll wonder why she doesn’t use the School’s internal facetime system to contact Zanna like she does her parents, but that would be a glaring plot hole so we won’t talk about that).

As luck would have it, another Urban Achiever, Bijal, is determined to befriend her, not respecting the fact Ife doesn’t want anything to do with her, and pissing me off in the process because she just won’t leave well enough alone. She even has the audacity to claim Ife makes everything about her, and doesn’t care about anyone but herself. To which Ife replies:

You’re the one who chose to try and make me your friend any way possible. That’s not how friendships happen, Bee. You can’t make people like you. It’s suffocating!

And I was like yes! You tell her, Ife. And I hoped she’d be rid of her for good and leave it at that, but no. We get a very sudden turn around from Ife, and then they’re mates. Bijal reads horoscopes and looks into conspiracy theories, but won’t believe in The Changing Man as a supernatural being.

Ife and Bijal also befriend Ben, whose brother mysteriously disappeared during the prologue, and who Ben has been trying to find ever since. And you’d think the serious nature of a missing sibling would make a character sullen and distracted, and for the first five minutes he is, but the rest of the time he’s played off as a silly boy who’s a little odd, and keeps strange things in his pockets. Like he’s the younger version of Johnny Depp’s Mad Hatter. He’s also called “Intellectually intimidating” by the booksmart Bijal, despite the fact that during the prologue, he was texting his brother to help him cheat in his English assignment. At least unlike the gaslighting Bijal, Ben has a nice word to say for Ife, calling her ‘determined and brave,’ though what he’s basing that on, I’ve no idea.

In part, because Ife suffers from anxiety, and I could believe that’s what makes her stutter at the start of almost every sentence, if only she was the only one who did it. And speaking of repetitive behaviours… Ben smirks. All the time, and especially at his ‘friends’ Ife and Bijal, which I found an odd writing choice from Oyemakinde. Smirking is usually a negative response, so it reads as if he’s looking down on, or laughing at them.

Ife’s interest in anything Changing Man related begins when one of her only friends at the school, Malika, begins behaving oddly. Choosing to hang out with girls she’d made fun of before and taking all her earrings out. I think that’s it. To be honest, as an inciting incident, it’s a pretty weak one. I don’t think we saw enough of Malika in the book to warrant it having that much of an impact on Ife. She’s supposedly so concerned about Malika, but there’s only a brief exchange about nothing serious, where she doesn’t show any concern…then nothing. She’s not even background noise for the rest of the book.

I got so bored reading The Changing Man, that I was tempted to DNF. The premise was interesting, but bore little resemblance to what you actually get. The plot starts to move forward toward the end (the point at which you’re already bored silly) but that’s where it really feels like a kids’ book. There’s a villain who, out of nowhere, starts speaking in rhyme, bad guys who get taken out by pickle juice, of all things, stupid flower names, and a blatant ripoff of Animorphs.

The pacing throughout is slow, with no atmosphere or creepy setting to make up for it, and I can’t believe anyone in the children’s age group would find this engaging. As an example, here’s the type of description you get.

To my left there are stairs. We climb them and reach a shallow tunnel opening. Walking through, we come out into a forest of shrubbery dappled with colour. Out ahead is a black door with golden details. It stands freely with nothing seemingly around it. There’s a rustle to my left.

Wow. Engaging.

On the writing style the word ‘glorious’ gets said by at least three different characters, there are at least five instances of missing full stops, one instance of two commas used consecutively, and for an English writer writing about English characters…American words?? (Yams, bangs, and cotton candy). There’s also a page where Ife kicks off her shoes, and then on THE VERY NEXT PAGE, she kicks off her shoes. And for the love of god, if a character frowns, just say that! Someone ‘squishing their eyebrows together’ sounds cute and different the first time, but not every time, and from every character.

The beginning of The Changing Man had the tiniest hint of One Of Us Is Lying with a passing resemblance to The Loop, and inspiration from Invasion of the Body Snatchers (and Animorphs, clearly). But The Changing Man wasn’t creepy or suspenseful. If you want that, read The Call.

I’d been excited to read this one for Halloween, but the only spooky element came from the cover. It was slow, boring, and a struggle to get through.

MINA AND THE UNDEAD

Mina arrives in New Orleans to visit her estranged sister, Libby. She loves nothing more than a creepy horror movie and can’t wait to explore the city’s darkest secrets – vampire tours, seedy bars, spooky cemeteries, disturbing local myths…

Mina lands a part-time job at a horror movie mansion and meets Jared, Libby’s gorgeous housemate and fellow horror enthusiast. But the perfect summer bliss is broken when she stumbles upon the body of a girl with puncture marks on her neck, clutching a lock of hair that suspiciously resembles Libby’s.

Someone is replicating New Orleans’ most brutal supernatural killings. Mina must discover the truth and prove her sister’s innocence before she becomes the victim of another myth.

IT’S HALLOWEEN! 🦇🎃

And for my spooky season read, I read Mina And The Undead because hello? The cover? It’s nineties, it’s Blockbuster VHS nostalgia, the detail is *french kiss* so thumbs up to Becky Chilcott for designing the cover.

Speaking of the 90s… I was kind of hoping the book would be more Buffy-style vampire slaying from the get-go, but for the longest time there weren’t any supernatural elements at all. A lot of the plot revolved around learning about past murders that had happened in the area a long time ago, and the prospect of their being someone copying these murders to look like they had been committed by actual vampires. (A good idea, but not really what I’d wanted to read, so I was a bit dissapointed) LUCKILY there are actual vampires in the second half of the book, where the plot starts to pick up.

After a brief bit of internal musings to establish her life long love of vampires, the story begins at the doorstep of the Mansion of the Macabre, where Mina’s sister Libby works. They meet Jared at the doorstep, and the book begins. Personally it felt a bit sudden. There was no buildup to sort of ease you into the story, you know? (And speaking of Libby…despite being reminded she had the same dark curly hair as her sister, I couldn’t for the life of me picture her that way. When I tried, I accidentally turned them into identical twins. Mostly, I imagined her with short blonde hair. I put it down to recently watching The School for Good and Evil.)

As there’s the mystery element that runs through the plot, we do get a bit of trudging to and from the police station and being talked to by the police which, although probably in an attempt to give it some realism to police procedures, slowed the pace. The pacing throughout was a little hit and miss, the slower establishing beginning with teases of murder that quickly get brushed to the side. A lot of diary entries – all a bit passive, (though possibly a reflection of Mina’s – not to mention Amy’s – love of Interview With a Vampire? I’ve never read it, so idk.) I habitually pause halfway through a book to see how it’s going interest-wise, and it wasn’t looking too good at that point. Fortunately it’s one of those books that does improve the further in you get, and there are a few twists near the end.

There’s a love interest which isn’t anything serious (they’ve just met and barely held a conversation?) and it develops into something stronger toward the end of the book which felt unearned.

Overall, it was an ok read. I wasn’t really sold on the motive of certain characters (definitely the book’s weakest point), and given some of the source material, it could have gone a bit darker, and there weren’t any creepy elements that I’d been hoping for. It gave the promise of a 90s throwback but like I’ve seen in other books, you don’t really get immersed in the time period. There are a couple of popular TV shows and song titles dropped in, and hey! It’s the 90s! They’re always heavy handed on the pop clutre references, and it feels forced.

I thought Mina and the Undead would be a bit creepy or spooky, but it was neither, and just as the plot would feel like it was starting to go in that direction it would stop, and we’d get familial drama or a long walk somewhere. It was definitely mild, especially for a book about fans of the vampire and horror genre. Not to mention the fact the supernatural elements are all based on actual myths! Could do well for a younger readership.

Rating: 3 out of 5.

REALITY AND OTHER STORIES

Hosehold gizmos with a mind of their own. The wrong kind of colx calls. And the creeping suspicion that none of this is real.

Reality and other stories is a gathering of deliciously chilling entertainments – stories haunted by all the uncanny technologies and absurd horrors of modern life.

A mostly engaging read, Lanchester’s eight short stories range from eerie to odd. The collection starts off strong with Signal, a humerous story with an edge of creepy, and Coffin Liquor, which has the spookiest element of the collection, while also having the biggest eye-roll ending. (Honestly, it felt like reading a long build-up to a lame dad joke.) But they did have engaging characters and some funny elements, along with Cold Call. But that still only makes three out of eight stories, because the others could either drag, or didn’t catch my attention with the spooky that I was after.

It’s well written, but a little forgettable. I’d been after something spooky (this is my first Halloween read!) But most of the stories are uncanny at best.

Rating: 2 out of 5.