On her birthday, Nessa finds out the terrible truth about her homeland, Ireland – the truth that will change her future forever. That she and her friends must train for the most dangerous three minutes of their lives:
That any day now, without warning, they will each wake in a terrifying land, alone and hunted, with a one in ten chance of returning alive.
And it is Nessa, more than anyone, who is going to need every ounce of the guts, wit, and sheer spirit she was born with, if she – and the nation – are to survive.
The book’s cover is adorned with skulls, and the intriguing tag line: ‘You have three minutes to save your life.’ It sounds dark and urgent, more thriller than fantasy…but is it a little misleading? Maybe a bit, but I wasn’t disappointed.
The faerie folk (or Sidhe), and the grey land in which they reside are suitable terrifying. O’Guilin has created an imaginative and horrifying world, full of terror and suspense. Nothing makes you read on with bated breath, quite like the concept of a hopeless cause in a fight for survival. You sympathise with every character unlucky enough to receive ‘the call,’ and hope they survive until the end. These sections are nicely interspersed throughout the novel, picking up the pace where it’s needed, and keeping the sense of urgency going from beginning to end.
Continue reading THE CALL
Not everyone has to be the chosen one.
The one who’s supposed to fight the zombies, or the soul-eating ghosts, or whatever this new thing is, with the blue lights and the death.
What if you were Mikey? Who just wants to graduate and go to prom before someone goes and blows up the high school. Again.
And what if there are problems bigger than this weeks end of the world and you just have to find the extraordinary in your ordinary life?
Even if your best friend might be the God of mountain lions.
Minority groups have always been pushed into the background of novels, particularly where fantasy is concerned.
They reside in the bulk of stock characters, and hover on the outskirts of the action. On occasion one might crop up as a secondary character, as part of the group that trail after the protagonist as she/he saves the day, but rarely being in the limelight themselves.
In The Rest of us Just Live Here, Ness explores the typical events of a YA fantasy novel from the perspective of these overlooked characters, representing different sexualities, disability, colour, size, age. From this turn in perspective, the background characters have flipped to consist of the ‘chosen ones,’ of which we are normally used to following as the novel’s protagonist. Rather than being unique and special, they’re indistinguishable from each other, as Ness satirises the stereotypes of the blank, one dimensional characters, usually reserved for characters of minority.
Continue reading THE REST OF US JUST LIVE HERE